By the 19th century the church

was crowded with pews and galleries:

a print of 1804 in the Gentleman's Magazine shows access to the galleries by outside steps. A Restoration of 1823 took out the row of arches opening into the south aisle and repitched the roof so to create one space, with galleries all the way round. The emphasis then was on preaching. By the 1870s the Church of England was being powerfully influenced by the ‘Oxford Movement’, which tried to return to medieval ritual, decoration and architecture.

The Rector of King’s Stanley at the time, John Gibson, was an enthusiast for the new movement and initiated a  restoration in 1874 which was completed in 1876. The architect was the well-known GF Bodley, though Gibson himself had a hand in the design. Gibson and subscribers paid the cost of the restoration of the chancel, and Sir Samuel Marling paid for the nave and south aisle. The Victorian Church is a fine example of its kind, with a painted wagon roof and tie-beams favoured by Bodley.

 

Far left: South Aisle and Nave looking East

 

 

 Left: four details of the painted ceilings.

 

Top Left: South Aisle

Top Right: Lady Chapel

Bottom Left: Nave

Bottom Right: Chancel

 

 Below: Nave looking west

 

St George's Kings Stanley 19th Century view of South Aisle and Nave looking east
St George's Kings Stanley 19th Century Nave from Chancel
St George's Kings Stanley 19th Century Painted Ceiling Detail
St George's Kings Stanley 19th Century Painted Ceiling Detail
St George's Kings Stanley 19th Century Painted Ceiling Detail
St George's Kings Stanley 19th Century Painted Ceiling Detail